“…the film soundtracks its images with a haunting industrial score that induces both claustrophobia and near-panic…”

Arkansas Times, Lindsey Miller

“…All-in-all, the highest praise goes to Ori Barel for his original score.  The unvarying notes in the lower register suggest impending doom and aid in intensifying the extremism.  The frequent sound of chimes/the tolling of a bell also adds to the apocalyptic aura.  Most worthy of note is the orchestrated segment that provides the background during one of the film’s most revealing scenes…“

BC Magazine, Brandon Valentine