REVIEWS
“…the film soundtracks its images with a haunting
industrial score that induces both claustrophobia and
near-panic…”
Arkansas Times, Lindsey Miller
“…All-in-all,
the highest praise goes to Ori Barel for his original
score. The unvarying notes in the lower register
suggest impending doom and aid in intensifying the
extremism. The frequent sound of chimes/the tolling
of a bell also adds to the apocalyptic aura. Most
worthy of note is the orchestrated segment that provides
the background during one of the film’s most revealing
scenes…“
BC Magazine, Brandon Valentine